- This event has passed.
Baltimore Oval-Back Chairs Restored
May 10, 2022 , 11:00 am - 4:00 pm
Free with regular admission
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.
ABOUT THE INSTALLATION
In 2019, Homewood launched a Dress-A-Chair fundraising campaign to outfit six Baltimore-made, oval-back chairs with custom reproduction slipcovers. Work on the chairs is now complete and can be admired in a small exhibit in the Reception Hall that includes information on the chairs, as well as an exhibit case exploring joinery and upholstery. Included with regular admission.
The oval-back frame is a particular favorite style that came out of Baltimore in the early nineteenth century. Each chair also features an example of the famous Baltimore bellflower, a carved motif favored by Baltimore furniture-makers.
The design of the slipcover was chosen based on early nineteenth-century period imagery and modeled off of reproductions produced recently by Colonial Williamsburg for similar chairs. We consulted with several Mid-Atlantic curators before determining that white dimity with a ruffled skirt would be an appropriate fit for a property used as a summer estate. The fabric was woven on a loom by Rabbit Goody up in New York and the slipcovers were made by Alan Ibello from Baltimore.